Category: Uncategorized

  • A Record, A Memory, A Farewell

    Mike Walker’s Journey from Bogue to Closure

    Bear/Marquette Music Scene

    I had the privilege of meeting Mike Walker not long after he moved back to the U.P. — some years ago. We’ll go with that, because I honestly don’t remember exactly what year it was at the Upfront & Company, and that place has been closed for almost 13 years now. What I do remember is meeting this cat who clearly knew a thing or two about heavy bands. After a short conversation outside, Mike looked at me and said, “We need to be friends.” And we have been ever since.

    Sure, the Upfront is long gone, but some memories are still sharp. We did some cool things before the club was abruptly — and stupidly — taken away from us.

    Of course, I’m not just Mike’s friend. I’ve been a fan of just about everything I’ve seen him do musically. So when I heard he was bringing a 20+ year-old demo back to life, I couldn’t have been more excited. The release got delayed — unfortunately for him, but fortunately for us — into a time when we’re both active again. I had the absolute privilege of sitting down with my friend this week to talk about the release and about an era where I can only fill in the blanks with stories from the people who lived it.


    Origins of Bogue

    Bear: So you weren’t with the band from day one. How did it start, and how did you end up joining?

    Mike Walker: Matt and Danny formed the band in late ’99. I was working at the Gold Dollar — tiny rock club in Detroit. They played their first show there. I knew Dan from P.W. Long’s Reelfoot and stuff like that. When they played as a two-piece, I immediately knew: I need to be in that band. They needed it, and I needed it. We spoke the same musical language.

    We found out we lived next door to each other. One day I was taking out the trash, he said hey, we ended up at the bar, then two hours later, we were in the practice room. Just like that.

    Bear: Do you think you changed the sound?

    Mike Walker: Yeah, I’d say so. Dan and I had that Keith Richards/Brian Jones “ancient art of basket weaving” thing. Two guitars working together. It just gave things more beef, more thickness.

    Bear: You were in Gravatar before Bogue. Very different sound. Did you carry anything over?

    Mike Walker: I don’t write music thinking, “Today I make this style.” In Gravatar, we loved free jazz and the Melvins — and it shows. I still love both. With Danny, we naturally leaned more toward Booker T. and the MGs meets Jesus Lizard. No conscious style shift — just different chemistry.

    I played the same guitar, amp, and pedals in both bands. Just different results.


    The Detroit Scene

    Bear: What was the Detroit scene like at that point?

    Mike Walker: Huge city, huge music town. Even with millions of people, you end up seeing the same 150 folks at shows. There were overlapping circles — garage rock, noise, punk, metal — all at the same bars. Gold Dollar wasn’t just garage or noise, it was everything.

    When people talk about that era now, they name White Stripes, Electric Six, Von Bondies, Dirtbombs. We played with all of them. The Henchmen, Rocket 455 — everybody was influencing everybody. No one was copying, but we all had the same Kinks records and Zeppelin albums. Same roots, different flowers.

    Bear: There was definitely a kind of abrasiveness to Bogue’s sound that set you apart from other Detroit acts of the time — You all had the same Kinks records, but it seems that you wore the more obscure deeper experimentation of those bands on your sleeve in comparison to bands that are now looked at, maybe, as more radio friendly from Detroit in that era. What’s your take on that?

    Mike Walker: True. Nobody thought they’d get rich doing this. If you wanted that, you left Detroit. It wasn’t until Jack and Meg [White] were on Conan that anyone thought, “Maybe this could work.”

    Bear: What was a Bogue show like?

    Mike Walker: Sweaty. Fast-paced. No rambling between songs. Just run it and keep people moving.

    Bear: The crowd?

    Mike Walker: Good vibes. No mosh pits. At a friend’s wedding on Belle Isle, someone from the Yacht Club said it looked like an Austin Powers-themed event — not because of any actual costume theme, just the wild mix of vintage clothes and garage rock flair people showed up in. That was our scene. Total Nuggets-comp energy.


    Recording the Album

    Bear: The record was done at Ghetto Recorders, right? What were the sessions like? Chaotic? Focused?

    Mike Walker: Yeah, Jim Diamond’s place. Old chicken processing plant behind the Fisher Theatre. Cinder block building. Jim knew what he was doing. He had some leftover tape and a day so he said, “Let’s make a demo.”

    We were tight as hell, practiced constantly. Tracked 14 songs, mixed vocals — all in a day. We thought it was just a demo to shop to labels.

    Bear: So chaotic focus?

    Mike Walker: Exactly. Lots of cocaine and alcohol. But we knew how to operate.


    Loss & Perspective

    Bear: Sadly, working in and around music death is just a part of it. Dan and Matt are both gone. How did that shape how you look back?

    Mike Walker: I’ve lost a lot of people. Dan’s death — suicide — hit me, but I don’t think I processed it until years later. Matt died a couple years after that. Heart attack behind his drums.

    I buried it. Buried myself. More booze, more coke. When I got sober a few years ago, my uncle randomly found the Bogue demo. I hadn’t heard it in 15 years. I cried.

    Those guys were my best friends. No one else on Earth really shares that history with me.

    I thought: maybe someone out there remembers and cares. I reached out to friends in Electric Six, Rocket 455, others — they all said, “Let’s get it out.”

    So yeah, this release? It’s closure. I need it out in the world to move forward.


    Chaputa! Records and the Vinyl Release

    Bear: The original vinyl plans fell apart. How did Chaputa get involved?

    Mike Walker: First label screwed me. Lied. Lawyered up. Picked up the pieces with help from friends. I reached out to every label I could remember — then found Chaputa in Portugal.

    I emailed the demo. Escar, who runs it, responded within an hour: “Let’s do this.” It was 4 a.m. over there.

    He’s been amazing. Transparent, honest, helped with U.S. distro. Their catalog is full of weird fuzz bands, Scandinavian stuff, and all with beautiful packaging. Total care and craftsmanship.


    Vinyl, Streaming, and Distribution

    Bear: Is it a remaster or something else?

    Mike Walker: Just a straight remaster. Jim pulled the tapes. No overdubs, no touch-ups. Just cleaned it up. When he sent it back, I could hear things I hadn’t noticed before. Mastering is black magic.

    Bear: Is that the end of the musical story?

    Mike Walker: Yep. Maybe some live tapes out there, but I don’t have them. That’s it.

    Bear: Where can people get it?

    Mike Walker: Bandcamp U.S. distro is Get Hip Recordings. Chaputa Records. Locally: The Emporium, Jim’s Music, Yooptone Music and this weekend at the Ore Dock [Brewing Company]. Geoff & Jon’s Record Show all weekend long — they’ll have copies.


    Bear: Appreciate your time, man.

    Mike Walker: Absolutely. Thanks for digging into this with me.


  • DR3WPALOOZA: A Birthday Bash Turned Community Force

    Drew Collister in 2023 at “Drewpalooza 1” at Dig’s in Marquette.

    What started as a simple birthday party among friends has grown into a full-blown three-day music event with heart, purpose, and a whole lot of community spirit. Drew Collister, the founder of Drewpalooza, didn’t set out to create a festival—but that’s exactly what happened.

    “The first year, it was just a birthday bash,” Drew recalls with a smile. “A few close friends, a couple acts, a DJ booth—and way too many logistics packed into a tight space. But it sparked something. I realized I wanted to do more. I wanted it to mean something.”

    By the next year, Drewpalooza moved to Pine Grove in Republic, Michigan, where it found its rhythm and a new mission: raising funds for local causes close to Drew’s heart. In 2024, the event supported Do It For Daniel, a vital local nonprofit focused on mental health awareness [Editor’s note: Both Drew and I played football for founder Jeff Olson — he’s not only a Hall of Fame football coach but a great man and mentor]. This year, the cause is Ainlsey’s HALO, a pediatric cancer-focused organization that also funds scholarships in dance, hockey, and more, all in memory of a young girl whose spirit continues to inspire.

    “Ainsley was only eight years old when she passed away,” Drew explains. “Her family created HALO—Help And Love Others—as a way to keep her legacy alive. They support the children’s hospital in Ann Arbor, help with scholarships… it’s just incredible what they do.”

    That focus on heart has resonated with artists and attendees alike. “The number of people reaching out asking to be part of this year’s Drewpalooza blew me away,” he says. “Eighteen acts, three days, and for the first time, artists from outside the U.P.—including Wisconsin—are making the trip.”

    And it’s not just the lineup that’s growing. Last year’s crowd packed Pine Grove to capacity by midday. “The Pine Grove crew were doing head counts and just looked at me like, ‘Yeah, you’re full,’” Drew laughs. “But the support has been amazing. People dancing, singing, nodding along… those moments are why I keep doing it.”

    Drewpalooza 2 @ The Pine Grove in Republic.

    Dr3wpalooza bands hit the stage at 6:30 tonight and 12:30 pm on Fri & Sat

    So why Republic? Why Pine Grove?

    “I played there before, and the staff is incredible,” he says. “They help with everything—security, 50/50 raffles, even shutting down the street if needed. They’re a big reason this works. I’m only 25, and the logistics of this are a beast. Having a team that supports the vision makes all the difference.”

    Drew’s background in music—playing in projects like No Expectations and Stetson—helped him build a network that now fuels the lineup. “I’m always out catching shows, checking out who’s playing where, following Marquette Music Scene to see what’s going on. A lot of these connections came from just being part of the community.”

    And that community feeling was on full display last year, when headliners Spun invited everyone who had played over the weekend to join them on stage. “It was this wild, spontaneous, We Are the World moment,” Drew says. “Everyone came together. I got choked up seeing it.”

    Looking ahead, Drew has ideas for how to keep growing while staying true to the grassroots vibe. There’s talk of expanding across the street from Pine Grove, adding a tent or more outdoor space. Northern Lights Campground is already on board to help with overflow. There’s even a big announcement planned for next year—though Drew’s keeping that one close to the vest until the time is right.

    When asked what spirit animal would represent the festival, Drew doesn’t hesitate long: “A lion. Not just because they’re powerful, but because they protect and care for their pride. That’s what this is about—coming together to help and love others. That’s what I try to live by.”

    He’s quick to shout out those who’ve helped make it all happen: Globe Printing for last year’s sold-out merch and this year’s expanded run; local food trucks like The Island and others; backline and sound support from Spun; and the tireless crew at Pine Grove. “It takes a whole village,” Drew says, “and I’m lucky to have one.”

    Bands hit the stage tonight (Thursday) at 6:30 PM, then again Friday and Saturday starting at 12:30 PM—with music running straight through until close each night. There’s no admission fee, but plenty of chances to support the cause throughout the weekend. All proceeds will help raise funds for AINSLEY’S HALO, so come ready to enjoy the music and make a difference.

  • Resinator 25 in the Rearview!

    As Bear had committed off to Escanaba on 4/19, to visit with that crew and some potential clients, we felt we would be remiss if we left Resinator ’25 uncovered. Fortunately, friend of MMS & WUPX Music Director Jack was rarin’ to go. – Bear

    Kognisjon is back, lighting up Marquette once again with its signature 420 (well, 4/19) festival and exclusive beer release. With a stacked bill of Michigan (and a little Wisconsin) heavy music and a fresh beer release to boot.

    Caving Grounds started off the show and shocked the crowd awake with some songs off of their newest EP, “Northern Desolation.” Their blend of hardcore grit and post-metal atmosphere made for a unique, bleak but energizing experience and got the crowd more than ready for what was to come.

    Following Caving Grounds was La Crosse, Wisconsin’s THE GREY AREA. They brought a powerful instrumental, atmospheric set, which would make you float with their spacey riffs, then slam you back down into the ground with their heavy breakdowns. Imagine if Pelican and Russian Circles had a Michigan cousin raised in a planetarium, constantly staring at the northern lights.

    Next up was Negaunee’s The Hard. When they took the stage, you’d better have had your boots on, because they turned Marquette into the Bayou with their swampy riffs. Sludgy, groovy, and unapologetically filthy, their set really got the crowd moving with a circle pit in the middle of the bar room. This band has a soft spot in my heart as they were the first group I saw live when I moved to Marquette. Bonus points to Andy for complimenting my Eyehategod shirt.

    Continuing to bring the heat was Lansing’s four-piece Room-101. I personally had never heard of this group before, but from their first song, it was like a magnet was embedded into my head, and the floor was made out of iron. A doom/death metal outfit with a sound that hits like a collapsing cathedral, they brought a thick, suffocating sound. If you were there, you know that even their equipment wanted to bang its head.

    And what better way to end a “4/20” fest than the Stoner Metal band Bog Witch from West Michigan? From the first note, it was like a cloud of smoke smacked you in the face, and when it disappeared, you were back at the DnD table with their tabletop RPG and fantasy inspired tracks. Their sound was a slow moving beast, dragging through layers of fuzz. Each track felt like a journey through a fantasy campaign: dragons, graveyards, necromancers, you name it, they riffed about it. Think Sleep meets Dungeons & Dragons, and in classic Stoner Doom fashion, they pushed the time limits of the city ordinance, but I don’t think anyone was complaining.

    Another year in the books and more necks that’ll need a brace come Monday. Kognition’s 420 Fest helps prove that the U.P. heavy scene is alive, loud, and louder than ever. If you missed it, well, to quote Caving Grounds Vocalist, “you’re a buster.” – Jack Wolgamott

    From Elk Rapids, Michigan, Jack is the Music Director at NMU’s WUPX, where he’s majoring in multi-media production. In his free tiem Jack enjoys writing riffs and making music with his friends.

  • 4/20 Bringing the U.P. Heavy Pt II

    4/20 Brings the U.P. Heavy Part II

    Yes, we’re Marquette Music Scene, but we really love to see other towns in the U.P. kicking musical ass, and since re-opening as a BYOB/C establishment a couple of years ago Escanaba’s historic “The Delft” has been really bringing it on the musical front across the board, but this is the second year they’ve worked with RezDog Promotions for a 4/20 heavy show.  Now I’m just going to assume RezDog is another Lexie/Jason Keshick, of Ghidora, project, and we’ll get to them later.

    I guess I’m going to preface this by saying I couldn’t find any music by Electromag (looks like rockers from the powerhouse WI stoner/doom scene), and only limited music by Gallows Grove. I also don’t have a running order so I’m just going to start with the Grove.


    What I did hear sounded like some pretty straight up Metallic Hardcore, and it definitely didn’t turn me off.  I was talking with Caving Grounds Alex Wickstrom and he said, “They’re my favorite Esky band right now” they’re “somewhat metalcore, somewhat nu-metal and somewhat djent and they just blend it well.”  He was also very high on Jocelyn’s vox.  Though to be 100% transparent this doesn’t sound like it’s going to be my cup of tea, but if Alex is big on them they’re definitely worth checking out.  Also, sounds like they’re good folk who like to give back to their communities so that always gains major points with me.



    Goin’ down the list lets take a qui9ck look at Wisconsin Djent juggernauts Heavy lies the Crown.  Again, I have to be completely honest and say that other than thinking “Oh, this is interesting” when I first heard Meshuggah’s 1998 full length “Chaosphere” djent just has never interested me.  However, if you are into it, these guys oughta get your juices flowing.  Heavy groovy riffage with wild tempo and time changes, in your face vox and pounding drums. There is no doubt that djent has solidified itself as a permanent sound in metal, and Heavy Lies the Crown seems poised to dominate the midwest.

    As Bullets Baptize a Party on the stage…. ….and off.

    I caught As Bullets Baptize at last year’s Booney Bash at Michhistrigan Campgrounds on US2 (they’re playin’ Friday night again this year).  They play a style of thrashcore that will appeal to all kinds of rock and metal fans.Rippin’ thrash riffs from across the thrash spectrum, moshable breakdowns, fun solos, killer groove and solid tough guy gruff vox that should get your neck rockin’.  For fans of Bay Area thrash, Thrashcore like Devildriver or (lets go old school) Superjoint Ritual, and there’s a lot here nu-metal fans would enjoy as well.  The -core elements may turn some folks off, but these guys are a real party on (and off the) stage.  They’re the first band of the “He Has Resin” tour which is closing a three day run at the Delft.

    This brings us to Phase Meridian who are in the Archives as “Progressive Sludge.”  Well, I guess that’s what we can call the style, you know the style that put Mastodon in Arenas after starting out a wacky grindcore band.  There is going to ba A LOT of appeal to these cats, they’re gonna come at you from all angles with crunchy swamp riffs, to bouncy groovy -core/thrash, clear death metal influences, and more.  I will admit that his is the style that sort of turned me away from Mastodon, but live these bands tend to bring it.  Starting as Red\\Shift in 2011 they didn’t have too much output until closer to 202, but two of these cats were busy in the now defunct but totally prolific Oak Pantheon.  They’ve really been putting in the effort post pandemic with multiple singles, and it sounds like there’s a new full length in the works.  I’m very curious to see these cats live, but I fully expect the crowd to be going absolutely wild.

    Rounding out the “He Has Resin” grouping is Stoner/Doom (soon to be) titans Thundergoat.  As I mentioned before the Wisconsin Stoner/Doom scene is pretty off the charts and these guys fit the bill completely   Covering the Stoner/Doom spectrum the way many doo from mid to fast paced, almost High on Fire thrashers, to almost SUNN0))) droning Thundergoat keeps you guessing and your neck wreckin’. Their humor definitely plays into the game as well with track titles like “Chunker Bunker,” “Killer Bong, dude” and “Jake The Stoner Snake Roberts.”  This is the kind of band that I use to bring heavy classic rock fans over to the darker world of underground metal and I can’t wait to have them try to blast my already weathered ear drums.

    This brings us to the band I will in now way try to hide my excitement to see.  A couple of weeks agoI was doing my usual bi-weekly Midwestern demo check in the Archives and I found Cröven had dropped one completely under the radar.  After talking with them it was so under the radar taht “We didb’t’ even really mean for people to hear it” to which I said “WHY THE FUCK NOT?”  It’s been a LOOOONG time since I’ve been this blown away by a demo.Cröven captures the vibes of the early 80’s underground in a rarified manner, they are wearing their influences of Mercyful Fate, Cirith Ungol, Manilla Road, Venom, Angelwitch and so much more directly on their sleeves.  Vocalist/Axeman Corey Anderson’s sneer is right there with the likes of Chronos, but still very much his own, and his axe work on this demo is superb (though I will say he needs a bit of work on those solos, chaos is okay, but sometimes they just are slightly off, but that’s to an elitist nitpicker).  I can’t wait to see if these guys can bring it live the way it sure looks like they do on video.  If they can, they need to have this demo pushed the furthest reaching corners of the traditional metal scene because someone besides me (and former WUPX/LA Weekly/Century Media cat Clint “The Crippler” Mayher) and these guys have a great chance to be “huge in Europe” (iykyk) in 10 years.  I could also see these guys picking up some nasty covers and mixing their awesome originals and maybe even throw something wild and “new” at the rural bar scene.

    Finally, we come to Ghidora.  I called these guys “one of the hardest working bands north of Chicago” last year and they’ve definitely continued to run with it.  Once again, full transparency, these guys ARE NOT my style, but they are good folks, a family band, hard workers, and amazing community stewards and I will help them in any way I can.  Musically what can you expect?  Well, honestly, I hear Slipknot IOWA Part II.  they are definitely one of those bands in this nu-metal revival that rides the fence between new metal and metalcore, but they simply sum it up in a glorious way “Rez Metal.” as all members of the band, I already mentioned as family,  are members of the Hannahville Indian Community.  Ghiidora is all about Lexie/Jason Keshick & Sheldon King groove over some extremely tight drumming from Jose McKitrick. Seriously, if anything impressed me musically with Ghidora its definitely Jose.  Vocalist Carissa Keshick brings a fun varied approach and I believe she’s really coming into her own.  After much lobbying from many of us, Ghidora will be playing Milwaukee Metalfest in a couple weeks, and they’ll also be on the same night as the aforementioned As Bullets Baptize on the ‘25 Booney Bash.
    So there ya have it.  If you’re of the HEAVY, if you aren’t either at Kognisjon in Marquette or The Delft in Escanaba on Saturday are you really heavy or are you just someones brother?

    Get out and wreck your neck this weekend (oh, I will give you a pass if you’re of the heavy, but still want to catch May Erlewine’s special album release shows in Marquette because her new “rockinest album ever” is pretty damn rockin’).

  • 4/20 Bringing the U.P. Heavy!

    4/20…

    …um, okay…

    …4/19 is bringin’ the heavy to music fans in the central U.P. – Part I: Resinator

    In celebration of cannabis (and beer) and heavy rock, as Marquette’s Kognisjon Bryggeri brings back Resinator ‘fest for it’s 2nd Annual Appearance (there is no First Annual! damn it!) and down in Escanaba the Deflt once again paired with Ghidora, one of the hardest working heavy music bands in the Midwest, for their 2nd Annual Invasion of 4/20.

    Both shows feature badass heavy rock and metal from around the U.P., Lower Michigan and Wisconsin; and both shows are guaranteed not to disappoint.

    First up, though I won’t be in attendance this year, we’re going to talk about the Marquette festivities.  A FREE! Heavy Rock and Metal show in Marquette, last years was one of the most packed nights the Kog has seen, and this year could easily be no different.

    Firing the show off is a band we tried to late-book onto the show last year, things just couldn’t line up, but the scene vets that make up Caving Ground jumped at the opportunity this year, and if you’ve had the chance to catch their version of Extreme Death/Sludge/Crust influenced Hardcore you know that necks will be wrecking right off the start.  Sure, I’ll call this crossover, but don’t expect nice rockin’ rhythms like DRI, this is dirty, nasty modern Metallic Hardcore bound to rip your fucking face right off. A versed metalhead can tell these cats have been all over the place in their history and they wear those influences right on their sleeves.  Yes, its unequivocally Hardcore, but if you “hardcore dance” in one of their pits someone in a battle jacket is most likely going to put you on your ass.

    Next up is LaCrossee, WI doomsters (post-rock whatever the fuck you wanna call it) The Grey Area. I admit I was only able to jam “A Slow Burn and Many Cancelations” once, but it didn’t disappoint or surprise me.  It’s spacy, stonery riffage ala rockier Neurosis or modern Earth.  If you like to just zone out, this will be a band for you to smoke a doob (i assume Higher Love will be running specials, but don’t smoke it at the Kog) lay back and get lost in doomy soundscapes.

    Swampy local Experimental Sludgsters The Hard.return to Resinator next, with their eclectic hard hitting mix of rock, sludge, doom, death, thrash, and hardcore.  You can always expect wrecked necks, crowd participation, mosh pits and apparently these days Andy telling us he’s (and we’re by default) old.  If you haven’t caught this three piece before be ready to be pummeled by a dual vocal attack between Andy and the versatile demonic music vixen Jaki, Andy’s riffs channeled from all styles of heavy, and one of the most solid rhythm backbones in the region: the aforementioned Jaki’s crunchy bass riffs and the ultimate dad rocker drummer in the U.P. Dave Swartz.(seriously Dave will wreck you while you try to keep up).

    Continuing the tradition of bringing bands from below the bridge, Lansing’s Room 101 comes to Marquette bringing a style of Death/Doom that this area rarely if ever sees. Traditional Death/Doom leaning on the Doom side showing influences from the likes of early Thergothen & My Dying Bride however, I’d say that the gothic influence is replaced by a more droning psychedelic influence, with a mix of harsh and clean vox.  These guys will appeal to a wide variety of heavy music fans as long as they’re cool with harsh vox.

    Headlining this year’s Resinator Release Party is longtime Cognition/Kognisjon (they go back to the old location) collaborator, and a band maybe even swampier than The Hard, Ludington, MI’s Stoner/Doom titans Bog Wizard.   These cats are definite Wizards in the world of Stoner/Doom continuing a Michigan tradition laid out by cats like Beast in the Field, Buffalo Witch, and one could even drop an Acid Witch on there.  Expect smokey Satbbath-esque riffage sometimes slowed down to an extreme drone, tempo changes from the ultra slow to mid-paced, and a mix of clean and harsh vox.  I mean, if you’re fans of Stoner/Doom and don’t like these cats I don’t know what to say.  I will say that without a doubt I’ll be bummed to miss them, but if this is the Central U.P. Heavy show you choose you are definitely in for another special night.

    Next up, in Part II (tomorrow) we’ll talk about the aforementioned 420 invasion happening at the Delft. 4/20 is bringing U.P. Heavy!!!  We’re driving down and we couldn’t be more pumped!

  • July Music Explosion!

    Marquette Music Scene & Beyond ExplodeS into non-stop music action for the Summer!!!

    Not that June was slouching, with great performances from local all stars Rockestra; the city band and orchestra doing their things; regular appearances from our incredible local & regional talent nearly every night at regular spots across the Yoop, and venues like the Ore Dock & The Crib stepping up booking major and underground tours swinging through the area (Charlie Parr, Jeffrey Foucault & Eric Koskinen (ODBC), The Jimmy’s (ODBC & Mqt. Blues Society) and the Primitive Rage/Skinned Alive Tour (Crib)) pushing all kinds of buttons for fans of Country and Americana to Hardcore/Grindcore and even Death Metal (not to leave out the likes of Rally in the Valley or Drewpalooza 2).

    Well, as we fire into July and Independence Day celebrations, the Marquette Music Scene (and Beyond) ABSOLUTELY EXPLODES into musical chaos for the rest of the summer!

    Starting off this weekend’s highlights, a little off the beaten path for Marquette, but Calumet’s Camping & Music FestivitIes Dam Jam is back for it’s 7th year with a huge array of regional stars including the Stan P Band, Steve Leaf, Not Quite Canada, Soul Responsibility, and much more Dam Jam is bound to have something that will tickle the fancy of Americana, Rock & even EDM fans.  Well worth the trip.

    Back in our region, starting the in-town highlights this weekend is Kognisjion Bryggeri, bringing up Grand Rapids based Jesse Ray and the Carolina Catfish debuting their brand of rockin’ blues/Americana in the Marquette City limits before appearing at a few other festivals across the U.P. this season.  Ridng the success of their ’23 full length “Sick-N-Tired” JRCC has been making waves across the region and starting to poke into that national level touring tier.  If you like hard driving roots rock, groovy blues, or just straight up killer old school rock and roll you’re not going to want to miss this set in such an intimate environment.  Who knows, these guys are pretty hot, it may be your only chance to see them in Marquette for FREE!  Show kicks off at 7 pm!

    The cats down at The Ore Dock Brewing Company aren’t going to be slouching against Jesse Ray as they bring back  hard working Michigan Swamp Rockers Stonefolk for a two night run.  They’ll rock the crowd with a mix of originals and covers with vibes from outlaw/trucker country to funk to indie-rock/jazz and R&B all while wearing their Little Feat, Gram Parsons, The Wood Brothers and more influence right on their sleeve.  Marquette is definitely getting spoiled in the varied roots rock department this weekend with Stonerock kicking off both Friday & Saturday nights

    Of course, I’ve mentioned 2 of the 3 venue breweries, and, well, Blackrocks is definitely keeping it interesting as well this weekend with the Marquette debut of Ann Arbor’s C.A.R.M.a Quartet bringing their “eclectic traditional and improvisational music” to town backed by Grammy award winning harmonica virtuoso Peter Matcat Ruth and Grammy winning percussionist John Churchville.  A quick spin through their available streaming material and you know you are In for a roots treat with some flair you are lucky to catch live.  They’ll be on stage both Friday & Saturday so there’s plenty of a chance to catch ALL of these badass highlights this weekend.

    Also worth the trip, if you managed to get seats, Garrison Keillor & Company are gracing The Crystal Theatre stage in Crystal Falls. Always a great venue to catch any kind of performance.

    Of course, the bands I mention here are out-of-towners that all are on the cusp of being “that band we saw just before they were big,” ya know our array of extremely talented locals are spread across the region with The Crunge @ Smarty’s, Sky Pilots @ Pine Grove, familiar singer songwriters @ Superior Culture, regular appearances from Derrell Syria & Bradley Brownell @ Drifa, and much more.  Be sure to check MarquetteMusicScene.com for schedules or the NEW Marquette Music Scene page on Facebook  (MarquetteMusic49855) for the most up to date information.

    We’ll be back early next week to talk about more Independence Day celebrations AND the BIG Big 3 Concert in Gwinn headlined by Country artist Chase Matthews who is coming off a major arena tour with Luke Bryan…

  • MARQUETTE NAMED A TOP “HIDDEN MUSIC SCENE” IN NATIONAL POLL!

    By DREYMA BERONJA
    Journal Staff Writer

    MARQUETTE — Marquette’s music scene earned a spot in a National Music Poll.

    In a poll by CheapoTicketing.com, Marquette ranked 31 out of 120 destinations with the best live music scenes, as voted for by music lovers.

    According to CheapoTicketing.com, Marquette was ranked for its “thriving” live music scene that adds to the city’s “vibrant” culture.

    “With picturesque Lake Superior as a backdrop, music enthusiasts can enjoy performances at venues like the Ore Dock Brewing Company and the Northern Michigan University Forest Roberts Theatre,” CheapoTicketing.com said. “From local bands to touring artists, Marquette offers a diverse range of musical experiences that captivate both residents and visitors alike.”

    James Collins of CheapoTicketing.com said the ranking “reflects not only the diversity of music genres available across the nation but also the passion and resilience of local communities in keeping live music alive and thriving.”

    “We hope this inspires music lovers to explore beyond the known music cities and to experience the unique sounds these hidden gems offer,” Collins said.

    Andrew “Bear” Tyler, editor in chief at the Marquette Music Scene, said its nice to see recognition on a national level with the more “understated scenes.”

    “Everybody knows that every tour hits Chicago, New York (and) Los Angeles, but nobody realizes what’s going on as far as that goes, a lot of times, the more rural areas,” Tyler said. “Let alone the scenes that these rural areas have built themselves.”

    He said Marquette’s music scene is more reminiscent of a city that’s larger than Marquette actually is, which gives it is “uniqueness.”
    “But that’s due to the larger fact that we’re the population base for this region. So everybody comes to Marquette thinking there’s going to be some sort of opportunity,” Tyler said. “But the biggest thing is we have everything that a lot of the people from the bigger scenes want, without the things they don’t want, which is the people.”

    Tyler said despite Marquette being ranked, he feels the ranking can be applied to the central Upper Peninsula, such as Escanaba and Munising.

    “These rural fans of the Marquette music scene are really grabbing on to the up-and-comers, the bands that we’ll come here,” Tyler said. “The problem with that is we don’t often have media partners. You turn on the local radio station, then what you’re going to hear (is) basically playlists drawn out of the major cities instead of bands that will actually come here.”

    He said with that kind of partnership, more people will know what is going on in the Marquette music scene.

    “People can really start to realize what is going on,” Tyler said. “That we have have these bands that are charting on the major charts, playing the Ore Dock, it’s just you might not have heard of them…”
    For more information on the Marquette music scene, visit Marquette Music Scene.

    Dreyma Beronja can be reached at 906-228-2500 ext. 548. Their email address is db*****@***********al.net.

  • Blues Fest 2022

    Where Blues Fest has many national artists there is also the local talent involved. Everyone puts on their A game! This years fest included a few members of Flat Broke Blues Band playing with Biscuit Miller in the FREE! Friday night show. He dubbed it Biscuit Miller and Friends! Awesome fun show with The Jimmy’s kicking off the night.

    Saturday show kicked off with the Graham Brothers followed by Whiskey Ryan & Catfish Kennedy and the Sunday show Jake and the Fireside Band followed up by the Wallens & Andy Langlois. All fabulous local talent.

    Workshops and Jams with such talent as Dave Ziegner, Derrell Syria, Randy Seppala, Dale Carrier, Fast Eddie and the likes makes for fun moments between sets.

    There was so much great talent and even if it was COLD Saturday night Carolyn Wonderland heated up the night!!! She is awesome ~ if you missed this one check her out !!! I swear that when she let out the first few notes the crowd had a collective WOW!!!

    She is a pure, nice, genuine lady. No diva energy there. Pure pleasure to have her at our Fest! She told us the Vanessa Collier would blow us away ~ (Vanessa beat Carolyn out for Female Blues Artist of the year so you know what great talent we had here!) I personally do not think one show was better than the other they were different but equally AWESOME! Vanessa was a delight also. I had her sign the BIG sax! They both signed our MABS wall.

    I don’t mean to leave out the other talent / sets because it was all fabulous. Saturdays was Crossroads Resurrection & Tail Dragger with Johnny Burgin; Sunday Jennifer Westwood & The Handsome Devils, who also hosted the after party at the Ore Dock Brewing Company, and of course, the Rev.Raven & the Chain Smokin’ Altar Boys ~ I love how they all appreciate our Sombrero Sound, and give kudos to Jim Supanich. And I also liked the stage this year I think using that Stage and tent worked well.

    That put 18 years In the books and rumor has it Ivy Ford us already signed on for next year! It’s going to be another awesome fest! – Cindy

  • Thunder 2022 – Day 2…

    Thunder 2022 – Day 2…

    Thunder on the Iron Range Crowd during Winger

    This morning I find myself with two thoughts on my brain. The first, criminy, how the heck did I go through 3 day ‘fests in the past with energy every day, and secondly, I may have used the “Negaunee hasn’t had their foundations rocked like this since the closure of the Mather B” line a little too early.

    To say day 2 of the 2022 rocked would be a bit of an understatement. SPUN kicked off the day with a set catering to the 80’s rock crowd, and they definitely got a lot of talk afterwards. We’re quite fortunate to have these cats pretty much every weekend. If you think you like to rock and you aren’t out watching SPUN I have to question whether or not you really like to rock.

    Chad Borgen rockin’ out.

    Stone Senate was up next, and we think they may have gotten a little tripped up by the fact that we’re in the Eastern timezone as they came up from Wisconsin, but they still managed to hit the stage right on time with their varied triple guitar attack. They rocked the crowd with about an hour of mixed rock songs from their catalog some leaning more Southern Rock, some feelin’ like just good ol’ classic rock of old, and then some that definitely let you know they remembered the 90’s and early 00’s. I have to admit I am surprised they didn’t play their cover of George Strait’s “Fireman” as the crowd would have went ballistic, but, even though the crowd had yet to fill up like it would in the evening, quite a few people left the day as new Stone Senate fans. I spoke with some members briefly after their set about them possibly becoming a U.P. regular. They said they understand the rural bar game. and they definitely expressed interest.

    After Stone Senate, the only 2019 Thunder returnee of the day hit the stage focusing more on a heavy/classic rock set than we normally expect. Though at times, I felt it was a little clear that this wasn’t the usual polished set from Chad Borgen & the Collective, the crowd was very into it, and they definitely got them ready for what was to come.

    What was to come is still leaving me exhausted over 14 hours later. Now, I’m not going to pretend that I’m a fan of FireHouse. Yeah, I got to hear some of the songs I grew up with live, but this kind of arena rock has never really moved me. That being said, there is no doubt that FireHouse brought it to Negaunee. The crowd was wild as they ripped out the hits, and I was definitely entertained by the sheer showmanship of the band.

    Once I can sort through all the pictures, we’ll get some albums up and there should be some entertaining captions as these guys definitely knew to put on a show. Let’s just say from the pictures you wouldn’t know that drummer Mike Foster was drumming a ballad.

    Following FireHouse we started to get the unfortunate word that Lita Ford had laryngitis and wouldn’t be able to sing for the night. Though some folks were disappointed, and some didn’t hear that announcement from the stage, few could be truly disappointed in the guitar show that Lita & crew brought. Longtime Lita Ford guitarist Patrick Kennison stepped in on the vox, and you definitely gotta give him credit. Sure, he’s not some tonal, clinical singer, but the man knows how to be a rock vocalist. Lita & crew ripped through a set of hits, including a dynamite version of the Lita & Lemmy Kilminster penned opus “Can’t Catch Me” that slipped in a massive drum demonstration from the legendary Bobby Rock. Though I’m sure a lot of folks were disappointed that Lita couldn’t sing. Honestly, only those of us close to the stage really heard her say anything, I have to say that I feel I may have enjoyed the set more with Patrick on vox as I tend to like my vocals harsher in this kind of rock ‘n roll. Unfortunately, due to Covid, there was no media/public contact with Lita, but even though under the weather, it was still amazing to see the looks of pure joy on her face as you can tell she just loves to play guitar in front of people with her friends.

    The night closed with a band, that is no stranger to Negaunee? Well, I guess we can say that since it’s the second time they’ve graced our presence in a decade. However, this time it was with all 5 members of the band…

    …sort of. Unfortunately, Reb Beach is touring Europe with Whitesnake so they had a cat named Jake Faun filling in, and well, let’s just say I don’t think Reb is all that missed. This dude just stepped right in, and is still clearly the featured guitarist, even over Taylor (Howie Simon is filling in this tour for John Roth, no public reason as to why). Seriously, this dude rips, and he just helped enhance a set that was already going to be an instrumental clinic.

    Pre-Winger Crowd from the stage.

    The band kicked it off with a deep cut, “Battle Stations” from Bill & Ted’s Bogus Journey soundtrack, and they really focused on their first 3 albums compared to the last appearance. I’m not sure if they were tuning their setlist to a rural festival crowd, or how they honestly go about it, but that seemed to be the case. Of course, it worked. “Seventeen” came early in the set, and Kip actually waited a couple songs to crack “She’s only 53…” (She’d actually only be 51 there, Kip), and they dug pretty deep into their catalog. At one point, Kip even asked the band (and I’m fairly sure this was for show, but again… it worked) “Am I reading this right? Are we really playing Rainbow (in the Rose)? (to Faun) You okay with this?”

    Throughout the set, Kip was kind of poking fun at the VIP section separation, but by the end of the set he had clearly decided that this wasn’t how he wanted to end the show. Before the last two songs kicked in, Kip got up there and egged the VIPs to let the General Admission folks into the section. Now, the VIPs didn’t mind. Security, was another story, however, as a longtime security guy myself they did EXACTLY what I would have done. Tightened up, and sent someone looking for someone that could make that decision.

    Winger kicked into their second to last song, and about 45 seconds into it I heard Kip say, “You gotta be kidding me…” Now, I have a little experience around Kip and I knew this was NOT going to be acceptable. I looked at a couple of the opening musicians around me and said, “Whoa… He’s ticked, he’s gonna stop the show or walk out after this song…” He did. All of the sudden Kip straight up stops the band. He then calls out security, which isn’t the most fair, but that’s just the game on that level. Then Kip saw promoter Mike Ridenour running through the section to get the “gates” to the VIP open. He had just gotten there and he did everything he could to make sure that show finished properly. Straight up, that is a weird and kind of unfortunate situation to be put in as a promoter and it was handled glowingly.

    The VIP section filled up with the GA crowd, Kip was happy and Winger rocked those last 1 1/2 songs out to a grateful crowd. The whole thing was really just a little hiccup, and it’s gonna give some folks a good story later.

    All in all, the day wrapped up fairly nicely. Over two days there have been minimal incidents, only enough ejections to be counted on fingers, and lots of drinks, money and fun flowing on Iron Street.

    One more day to go, and I’m going to be flying up there out of this office as soon as I hit publish. Looks like I’m once again going to miss Tom Katalin (this is becoming a thing), but I’m only one man with so much energy. Wanna be a part of something like this in the future? Throw me a DM and we can talk. Covering this festival as we have is just the beginning, and as events like this become more prominent we hope to cover them AND all the classics (Hiawatha, Skankapalooza, Wood Tick, etc) on the same level. We just need the folks to do it.

  • Thunder 2022 – Day One in the Books…

    Thunder 2022 – Day One in the Books…

    Thunder on the iron Range Day One – Leading up to Blackberry Smoke!

    The foundations of Negaunee were shaking last night, in ways that haven’t been felt since the closure of the Mather B. Heck, and yesterday as a “country” day. Thunder on the Iron Range 2022 is underway, and there is no question that there are more foundations being affected here than just Negaunee’s. Three bands opened the festivities yesterday, and they all brought it.

    A powerhouse version of Adam Carpenter & The Upper Hand w/Bill Arnold

    Adam Carpenter & the Upper Hand kicked things off with their style of “Frostbitten Country.” We caught Adam & Bill Arnold (also of One Ton Trolley) before they hit the stage (video available at our Facebook), and you could just see the excitement in their faces and body language. One thing Adam was EXTREMELY excited about was that they were playing “10 originals and only 2 covers.” Honestly, one of the covers may as well have been original to a lot of the crowd (Ryan Bingham’s “South Side of Heaven,” Jamey Johnson’s “In Color” being the other).

    Most of the set comprised of songs that are currently off at mastering from their debut album, but even those that were being heard for the first time were positively received. The crowd went wild for “Tornadoes and Trailers” (a single, I think has potential for nationwide radio coverage), Waiting for the Thaw, and, of course, the regional anthem “U.P. Life.” We’re just darn lucky that we have these guys as a local act. Adam, Bill and Jake will be taking the stage again Sunday as bluegrass jammers Chasin’ Steel.

    Cecil Allen Moore & Nicki just before taking the stage.


    The first official returning artist from Thunder on the Iron Range 2019 came up next in Cecil Allen Moore. Moore, his wife Nicki were joined by their MIchigan Born drummer (who’s name is escaping me at the moment) to bring a set of Moore’s originals and a handful of country and folk classics. Moore’s style is very much rooted in the 1970’s outlaw masters, but as with many modern artists they have a tendency to put a bit of a rock/punk edge to it. However, at times there is no question that Moore is channeling the country musicians of old, and I’m talking the 40’s & 50’s.

    We caught Cecil and Nicki before they hit the stage to ask about the family, and with a tinge of sadness and pride they said, “The youngest is at the merch’ table, but otherwise they’re all grown and gone now.” It’s still a family band, but the kids are out making it on their own and they couldn’t be more proud.

    As with their set in 2019, the crowd was definitely into it, and the majority clearly were just being introduced. I really think we need to get Cecil up here a couple times a year and not just on a festival stage. They’re good folk, great entertainers, and just a lot of fun.

    The night closed out with one of the most important bands in independent music. I’ve talked up Blackberry Smoke enough in recent days that I’m not going to do it much here, other than to say this band B-R-O-U-G-H-T, brought it. Negaunee was treated to 90 minutes of jams from BBS’s 8 albums, along with some classic covers thrown in (yes, including Stone’s covers from their recent “Stoned” EP).

    Unfortunately, Blackberry Smoke has some contractual media restrictions so we don’t have any photos of the band from the show. That’s okay, though, because it gave this reporter a chance to just enjoy a band I’ve wanted to see for over a decade.

    The VIP section breaking out into dance during Blackberry Smoke.

    Day one in the books, and today is a day for Rock! In fact, as I hit publish on this piece the gates will be opening (noon) and local rockers Spun will be taking the stage at 12:30. Nashville Rockers Stone Senate follow then Chad Borgen. Of course, after that some bucket lists will probably be getting check marks with FireHouse, Lita Ford and Winger. We’ve been informed that Ford & Winger won’t be doing any public or media appearances due to Covid concerns and we absolutely respect that.

    We’ll be live all day, in fact, we’re about to tear out of the office and get there as quick as we can! Do yourself a favor and do the same!

    Day passes are available CASH ONLY!!! at the gate!